Archives for category: Entertainment

District 9

There’s a scene in Dis­trict 9 when the main char­ac­ter, after endur­ing a lot of pain and humil­i­a­tion, has to make the choice of either run­ning into bat­tle guns ablaze or retreat. He chooses the lat­ter know­ing full well that his actions are dri­ven by fear and selfishness.

Dis­trict 9 or “D9” is many things all rolled up into a hard to describe pack­age. Among them it’s a sci-fi adven­ture with all the ele­ments you’d expect like blaster guns and an enor­mous space­ship. It’s also an unre­lent­ing social com­men­tary and an action-packed romp that refuses to let down its guard.

The effects and cin­e­matog­ra­phy com­pli­ment each other quite well and at times it’s hard to dis­tin­guish between the two. That said, they are not of the slick vari­ety that other films con­vey, but the grimy tex­ture is beau­ti­ful and per­fect for the por­trayal of a enslaved race of aliens liv­ing in South African slums.

It’s an unfor­giv­ing, rav­ished and self­ish envi­ron­ment, leav­ing barely any room for sur­vival. It’s a film that is best expe­ri­enced with­out dig­ging for holes in the plot (of which they are a few) or mak­ing assump­tions deal­ing with the char­ac­ter por­trayal or progression.

I enjoyed it because it didn’t reveal too much of itself and yet what it did expose was raw (human and alien) emo­tion, flaws in the human fab­ric and a detached feel­ing of human­ity, or at least I felt detached at times.

Howard the DuckGeorge Lucas has cre­ated some won­der­ful movies and is unde­ni­ably a vision­ary film­maker, story-teller and influ­ence in the film indus­try. Recently, evi­dence of this has sur­faced in the form of a PDF out­lin­ing the “Raiders” story con­fer­ence.

He’s also respon­si­ble for some real stinkers. Movie stink that could quickly foul a room full of under­de­vel­oped daisies and sel­dom come up in con­ver­sa­tion for fear of one being exiled or worse, thrown to a bunch of rav­en­ous movie crit­ics. Now I’m begin­ning to feel nos­tal­gic for the car­toon, The Critic, but anyways…

Howard the Duck is per­haps the worst movie on George’s resume (yes, fouler than even Clone Wars), failed mis­er­ably at the box office and yet it retains a charm all its own. There are even days when the movie strangely hov­ers around in my thoughts from time to time.

If this were VH1’s Behind the Music, this is the part when the guy would say.. “And now, the story behind the story.”

It all started with some comics

From Wikipedia:

[Howard the Duck] first appeared in Adven­ture into Fear #19 (Dec. 1973) and sev­eral sub­se­quent series have chron­i­cled the mis­ad­ven­tures of the ill-tempered, anthro­po­mor­phic, “funny ani­mal” trapped on human-dominated Earth. Howard’s adven­tures are gen­er­ally social satires, and also often par­o­dies of genre fic­tion with a meta-fictional aware­ness of the medium. [Wikipedia]

If you were to pick up a Howard comic dur­ing this time you’d notice very lit­tle dif­fer­ence between him and Don­ald Duck. This was inten­tional on the part of its cre­ators but for obvi­ous rea­sons wasn’t car­ried over in the movie.

Quack, Quack!

The movie adap­ta­tion, released in 1986, retained some of the traits from the comic in the form of its star, Howard, who was still ill-tempered and anthro­po­mor­phic. Instead of doing an ani­mated fea­ture, which would’ve been an ideal pre­sen­ta­tion, the film was instead live-action and the duck would be part ani­ma­tronic pup­pet, part diminu­tive actor.

It starred a very young Lea Thomp­son and Tim Rob­bins. Tim Rob­bins, up until this point (with Top Gun’s release loom­ing) had been known for bit roles in TV and film. Lea Thomp­son was (and will prob­a­bly always be) known as the Marty McFly’s mother Lor­raine in Back to the Future.

Together, they were sup­port­ing play­ers to their feath­ered star and despite the sub par script and kooky spe­cial effects, man­aged to give some­what con­vinc­ing per­for­mances. How­ever, there is some­thing to be said about the human/duck rela­tion­ship that is, to this day, uncom­fort­able to watch. I don’t think I was ever fully up to speed on the “birds, ducks and bees.”, but I digress.

Above all us, Howard the Duck, like The Dark Crys­tal, was a child­hood favorite of mine because it was some­thing I enjoyed watch­ing with my family.

It was a fan­tas­tic, awful, bewil­der­ing and grossly under­rated cult classic.

The Trailer

Addi­tional Reading:

Ear­lier this week I picked up the book Rogue Lead­ers: The Story of Lucasarts by Rob Smith. There’s an inter­est­ing his­tory that cap­ti­vated me from the get-go, pri­mar­ily because I’m a part of this fas­ci­nat­ing lineage.

Lucasarts & Quan­tum Link

Habitat coverLucasarts (then called Lucas­film Games) was founded by Peter Langston, a musician/game designer who hand-picked a group of young and eager game design­ers to cre­ate orig­i­nal game properties.

In 1985 Lucasarts was work­ing on a Com­modore 64 vir­tual com­mu­nity game (cou­pled with a 300-baud modem attach­ment) called Habi­tat.

In the game you were to cre­ate an “avatar” (yes, they coined the term in this con­text), pick­ing from a selec­tion of col­ors and clothes using the “GET” and “PUT” com­mands and then chat and inter­act with other peo­ple within a some­what graph­i­cal UI.

They part­nered with a com­pany called Quan­tum Link to pro­vide the on-line ser­vice com­po­nent and dis­trib­uted a beta test. How­ever, the game itself proved to be too pop­u­lar and their servers couldn’t han­dle the load, so it was can­celed never mak­ing it to retail.

Mean­while the tech­nol­ogy was sold to Fijitsu in 1989 and was later renamed Club Caribe.

Post­mortem

Lucasarts went on to cre­ate many orig­i­nal gam­ing prop­er­ties (suc­cess­ful adven­ture games like Maniac Man­sion, Grim Fan­dango and Day of the Ten­ta­cle) and Quan­tum Link even­tu­ally changed their name to Amer­ica Online.

The rest is history.

Addi­tional reading:

http://​en​.wikipedia​.org/​w​i​k​i​/​H​a​b​i​t​a​t​_​(​v​i​d​e​o​_​g​ame)
http://​www​.nation​mas​ter​.com/​e​n​c​y​c​l​o​p​e​d​i​a​/​Q​u​a​n​t​u​m​-​L​ink
http://​www​.nation​mas​ter​.com/​e​n​c​y​c​l​o​p​e​d​i​a​/​H​a​b​i​t​a​t​-​(​v​i​d​e​o​-​g​ame)

It was ten years ago when I first saw Harry Pot­ter and the Sorcerer’s Stone sit­ting on the shelf at Borders.

I dis­tinctly remem­ber the front cover illus­tra­tion, how col­or­ful it looked from afar and think­ing how geeky the boy on the cover looked with his round glasses and oddly-shaped scar. Yet, because it was a children’s book I fig­ured it wasn’t worth my time.

The Cho­sen One

I would’ve never guessed that not only would I read (and digest) every book in the series and watch every movie to date I would finally say good­bye to such a rich and imag­i­na­tive world and a char­ac­ter that, next to Mickey Mouse, is so well known around the world.

The road to under­stand­ing Harry Pot­ter wasn’t so smooth for me. It took some con­vinc­ing on the part of my best friend’s father, who in his late 40s fig­ured out some­thing that I could not; that children’s books are writ­ten for chil­dren but also meant to be enjoyed by adults.

Adult fic­tion can be stress­ful and com­pli­cated, tak­ing itself too seri­ously at times which is not to say children’s lit­er­a­ture doesn’t stray from com­pli­cated plots, it’s just writ­ten in a man­ner that even at its most basic level a child could understand.

If you think for a moment of the best children’s sto­ries turned to movie adap­ta­tions, sprin­kled in there will be films that prob­a­bly rate high on your all-time favorite list.

A few that come to my mind are:

  • The Wiz­ard of Oz by Frank L. Baum
  • Bambi by Felix Salten
  • Jumaji by Chris Van Allsburg

There are sev­eral oth­ers that have had such a pro­found impact on all of our lives and to think they all began as sto­ries intended for children.

Moral Align­ment

As for Harry Pot­ter, after hav­ing read the first book, I had a cul­ti­vated ini­tia­tive to fin­ish the series to the end. It was my goal and since I’ve reached it there are thoughts that have stayed with me through­out the course of the story.

Many of which deal with the fact that Harry doesn’t fit the mold for a hero. He isn’t bulky, doesn’t have strength beyond his wand and depends on the aide of others.

How­ever, he is the epit­ome of hope and strength to the wiz­ard­ing world, which shares par­al­lels with groups that in a his­tor­i­cal con­text have been sup­pressed in every cul­ture under the sun. While Harry never truly rec­og­nizes his impor­tance, he remains hum­ble and lov­ing and these are traits that ulti­mately keep him on the straight and nar­row, resilient to the evil that is always at bay.

This strug­gle between good and evil, right and wrong, deci­sions based on the protagonist’s moral stand­ing are com­mon threads shared by good lit­er­a­ture. Lit­er­a­ture that pulls you in, makes you feel sor­row and empa­thy and lays the ground­work for the ulti­mate showdown.

A World That Seems Real

While I con­sider myself a healthy reader there’s never been a series that has cap­ti­vated me as much as the Harry Pot­ter story has. I’m a lover of fan­tasy and while the Lord of the Rings books are grandiose, they can be dif­fi­cult to read because the lan­guage itself (explored in depth by Tolkien) is a char­ac­ter unto itself.

The enjoy­ment of read­ing Harry Pot­ter stems from the fact that Rowl­ing doesn’t take her­self too seri­ously and instead has fun with her mate­r­ial. I believe that beyond her shy per­sona is a woman who is witty and con­stantly imag­in­ing things as evi­denced in the books. She man­aged to make read­ing inter­est­ing again for chil­dren and that alone deserves attention.

There’s a lot to like about Harry Pot­ter and for that he’ll remain as real as other char­ac­ters in fic­tion have become.

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