Archives for the month of: October, 2005

Have you ever had those moments where you com­pletely for­get what­ever it was you were sup­posed to do? Despite metic­u­lously jot­ting said “to-do” item in an event plan­ner, jour­nal, online app or just a plain piece of paper you still for­get. It doesn’t mat­ter if you used a blue pen, if you were prac­tic­ing yoga at the time or fly­ing 2,000 feet over the Indian Ocean, we rarely remem­ber every­thing we need to accom­plish, even when we write them down.

Then, out of the blue, some­one says some­thing com­pletely ran­dom like, “Gee, I really like scrub­bing the mold off three-day-old bread with the edge of a but­ter knife.” and sud­denly that lit­tle light­bulb turns on over your head, blink­ing on and off like a busted neon sign, and you remem­ber that you needed to pick up but­ter from the store.

I can’t remem­ber what I said the other night to my wife, non­cha­lantly, as I was adjust­ing the cush­ions on our couch. What­ever it was it inad­vert­edly reminded her that she needed to call her mother about some­thing impor­tant and all because I made an off­hand remark about some­thing com­pletely ran­dom and incon­se­quen­tial but oddly rel­e­vant to our dis­jointed conversation.

Blue EyeThey say that one of the tell-tale signs that you’re get­ting older is when your eyes just aren’t work­ing like they used to. If you think about, we take our vision for granted and that’s because there’s rarely a moment when some­one will pon­der whether or not their eye­sight will ever fail them. Rather, we just are under the impres­sion that like our health, our eyes will never stray from being in good work­ing con­di­tion and that we’ll never have to resort to glasses or con­tacts, or any­thing that we’d need to depend on to flip through the pages of a book or refrain from trip­ping over a fire hydrant.

Ear­lier this morn­ing I had my first eye appoint­ment and when the nurse informed me that she would be admin­is­ter­ing eye­drops, I just nod­ded and tilted my head back. She then informed me that my eyes would become dialated and that every­thing would be extremely blurry up close. Again, I just nod­ded and was told to return to the wait­ing room to wait for the Doc­tor. A few min­utes later, my eyes became extra sen­si­tive to light and I noticed when I moved my palm close to my face that I couldn’t see any­thing except for a skin-toned blur. Sit­ting there, with poor vision due to the eye­drops, it made me think about var­i­ous con­cerns I’ve often thought about.

In recent years, with the advent of tech­nol­ogy, things are only get­ting smaller in size includ­ing the text we read on our com­puter screens. Unless one were to real­ize this ini­tially while devel­op­ing user inter­faces for those with slightly poorer vision, I believe things will only become worse.

Despite this con­cern, I have seen var­i­ous kiosks and web sites that use larger onscreen text, but some of these are only in effect because of a trend that I call “Big­gie Size”, wherein the designer has decided to use larger text because it’s the “in” thing to do, not nec­es­sar­ily because it might help those with poorer eyesight.

It’s cer­tainly some­thing to take into con­sid­er­a­tion, not only because it looks cool or earn you high fives from your peers but that it might actu­ally be more read­able for those strain­ing their eyes because of smaller text. Yet, where do we begin as design­ers as far as a base­line text size for onscreen read­ing? There’s been sev­eral debates on this topic, many of which never really draw a spe­cific con­clu­sion or answer to a per­fectly leg­i­ble text size for any reader. There’s good rea­son for this, mainly the fact that unless it’s a “one size fits all” t-shirt or base­ball cap, I don’t think there will ever be a golden answer to that question.

Tak­ing that into account, this is why var­i­ous web sites uti­lize em or per­cent­age text scal­ing instead of pixel per­fect (px) siz­ing, allow­ing the reader the abil­ity to increase or decrease the onscreen text. I had a dis­cus­sion the other day with my friend and fel­low 9ruler Peter Flaschner, who men­tioned that the font size on kar­tooner was too small for his tastes, so he sent me a screen­shot where he increased the font size to his liking.

I had no qualms with Peter doing this, espe­cially con­sid­er­ing that I sized every­thing accord­ing to a base­line font size of “small”. Every­thing else is scaled accord­ing to a spe­cific per­cent­age, includ­ing the body text (what you’re read­ing now) which is set at 95% of small. I could set the per­cent­age higher and I’ve con­sid­ered it, but I’m not sure if I’ll receive a com­plaint that the font size is too large. It’s at this point where I’m try­ing to fig­ure out how to meet the needs of those who have good vision and those whose vision isn’t quite what it used to be.

Young FrankensteinOf all the Hal­loween films made in the past 30 years or so, one of my favorites to this day is Young Franken­stein. More of a com­edy than a fright or gorefest, this Gene Wilder/Mel Brooks col­lab­o­ra­tion released in 1974 is not only one of the fun­ni­est movies made (right up there with Blaz­ing Sad­dles and His­tory of the World), it’s also the per­fect Hal­loween movie, pay­ing homage to the clas­sic Uni­ver­sal hor­ror films of the 1930s and 40s.

Before the movie was even brought to life on paper, Gene Wilder was con­tacted by his agent at the time about star­ring in a movie with Peter Boyle and Marty Feld­man. Wilder thought it was a fan­tas­tic idea but won­dered why his agent paired such a selec­tion of actors, only to find out that he shared the same agent mutu­ally with both of the actors. Shortly after, Wilder began the first draft of what would become Young Franken­stein sparked from a “What If?” idea wherein he won­dered what it would be like if he were the grand­son of the infa­mous Dr. Frankenstein.

Even­tu­ally, Wilder con­tacted his close friend Mel Brooks about pos­si­bly direct­ing the fea­ture but had his doubts since Brooks rarely directed films that he didn’t write or col­lab­o­rate on. Wilder would later say that Brooks, after being informed about this propo­si­tion, sim­ply shook his head ask­ing his friend, “What are you get­ting me into?”.

What are some of your favorite Hal­loween films?

Control ValveAdjust­ment is an unavoid­able, vital aspect to the sta­bil­ity of life, such as a con­trol valve that changes the water level of a river. In a sense, adjust­ment means rec­og­niz­ing, adapt­ing and chang­ing some­thing in any given cir­cum­stance so as to make it suit­able for one’s own benefit.

Such is the case with some­one who has to adjust accord­ing to a change in their work shift. When that time comes, rarely are we ever afforded the abil­ity to fully pre­pare for the change that occured. Instead, we have to tweak var­i­ous aspects of our rou­tines in accor­dance to what­ever will incur bal­ance in our lives. It’s never easy and most of the time it means step­ping out of our com­fort zone and under­stand­ing what needs to be done in order to sta­bi­lize one­self. For the indi­vid­ual who changes to a night shift, this means adjust­ing their sleep sched­ule to meet the demands and needs of their respec­tive position.

Another exam­ple of mak­ing an adjust­ment could be bud­get­ing one­self in order to pre­vent finan­cial chaos. One first has to rec­og­nize the issue at hand and then make the choice to change and con­se­quently adapt for the bet­ter­ment of the sit­u­a­tion. The out­come of mak­ing this adjust­ment might mean the dif­fer­ence between scrap­ping the bot­tom of the bar­rel or wad­ing above surface.

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