Celebration, FLIn 1994, the Walt Dis­ney Com­pany fig­ured out what they could do with a sliver of unde­vel­oped land near Dis­ney World. Exec­u­tives decided to trans­form the swamp land (pre­vi­ously used as a hold­ing tank of sorts for cap­tured alli­ga­tors) into a master-planned liv­ing com­mu­nity, deem­ing it Cel­e­bra­tion, Florida.

Accord­ing to Wikipedia, there are two ver­sions as to the rea­son­ing behind this decision:

One story for the rea­son behind Disney’s idea to build a com­mu­nity there was that Osce­ola County was con­sid­er­ing tax­ing the land at a higher rate to rec­og­nize its poten­tial, and so Dis­ney chose to make money off it.

Another ver­sion, which seems to be more per­sonal and friendly is that the Walt Dis­ney Com­pany was ful­fill­ing Walt Disney’s orig­i­nal vision of EPCOT as an “exper­i­men­tal pro­to­type com­mu­nity of tomor­row”. Instead of becom­ing a test­bed for com­mu­nity liv­ing and city plan­ning, his orig­i­nal vision turned into more of a show­case for cur­rent and future tech­nolo­gies; a hands-on learn­ing center.

In Walt’s words:

EPCOT … will take its cue from the new ideas and new tech­nolo­gies that are now emerg­ing from the cre­ative cen­ters of Amer­i­can indus­try. It will be a com­mu­nity of tomor­row that will never be com­pleted, but will always be intro­duc­ing and test­ing and demon­strat­ing new mate­ri­als and sys­tems. And EPCOT will always be a show­case to the world for the inge­nu­ity and imag­i­na­tion of Amer­i­can free enterprise.

Dur­ing the con­struc­tion phase, the Walt Dis­ney Com­pany sought the help of world-renowned Robert A.M. Stern archi­tects, Cooper Robert­son & Part­ners and Michael Bierut and part­ners from Pen­ta­gram who worked together in cre­at­ing a har­mo­nious con­cept of “New Urban­ism”. A rel­a­tively new ideal, New Urban­ism is the syn­ergy of mod­ernism and futur­ism where res­i­den­tial and com­mer­cial zones would be meshed together.

Archi­tects and graphic design­ers worked together in cre­at­ing every minute detail in the town, from the homes to the movie the­atres includ­ing cus­tom designed man­hole cov­ers and street signs. Accord­ing to one of the lead graphic design­ers on the project it wasn’t always a pleas­ant col­lab­o­ra­tion as design­ers and archi­tects would on more than one occas­sion clash horns. In the end, the result was noth­ing short of spec­tac­u­lar; a neigh­borly com­mu­nity wrapped in archi­tec­tural per­fec­tion, even if that sense of per­fec­tion has attracted crit­ics who see Cel­e­bra­tion as noth­ing more than a “cel­e­brated” movie set.