Archives for the month of: August, 2004

Time-lapsed freewayWhat’s with these dri­vers that feel they own the road? They either drive too fast, too slow and rarely a happy medium. It’s no won­der so many acci­dents occur dur­ing the day with peo­ple ignor­ing basic laws.

I’ve seen peo­ple per­form the fol­low­ing tasks while driving:

  • Put on makeup with their eyes dart­ing from com­pact mir­ror to rear-view mirror
  • Read­ing a book with one hand (or both hands)
  • Scarf­ing down Taco Bell and smash­ing the remain­ders on the wheel and
  • Per­form a mad dash attempt to pick up what­ever they dropped

It seems that most peo­ple believe they are par­tic­i­pat­ing in an Indy 500. Have you ever expe­ri­enced some­one attempt­ing to out­run you while they merge on the free­way? Just the other day I left plenty of room open for this guy in a black beamer and he still felt the need to drive at my pace, then speed up and because of this he gets cut off. Of course he speeds up in front of me, cuts me off from the side and then angrily honks his horn.

Believe me, I have road rage. When some­one cuts me off and puts my life in dan­ger it upsets me, but not when it’s a sim­ple mis­take. Most of the time some­one isn’t pay­ing atten­tion, which is under­stand­able since my vehi­cle was issued a spe­cial invis­i­bil­ity fea­ture. At the click of a but­ton I can make my Corolla cloak itself just like on Star Trek.

Thus the rea­son why peo­ple rarely see me on the road. 

There are those of us who are right-brained and those of us who are left-brained, just as there are peo­ple more involved in logis­tics than aes­thet­ics. That is, you might be the best mime in the world but not the great­est pub­lic speaker.

It doesn’t have to stay that way how­ever. Before he was famous, Rush Lim­baugh worked at a local radio sta­tion. In an effort to work his way to the top he made sure he did every­thing, even if it wasn’t in his job descrip­tion. He cleaned toi­lets, brought donuts and cof­fee to fel­low work­ers and even mopped the floors. The pay­off was that Rush climbed the lad­der of suc­cess and was pro­moted to sta­tion man­ager. When you hear some­one com­plain about emp­ty­ing the trash at work, think of Rush and think of what impres­sion you might make on some­one, higher level or not.

In this day and age we have to bring a hand­ful of skills to the table, how­ever menial they might seem to be. You might be sur­prised to learn that Kevin Spacey can dance and sing, but not so much when you real­ize actors and actresses usu­ally per­form in many capac­i­ties. Dressed for suc­cess is one thing, doing some­thing that isn’t in your job descrip­tion is another. You might be the best-looking man in the room, but if you aren’t will­ing to go above and beyond, for­get it. Who needs a Joe Schmoe with lim­ited skills when a Jack Shpack not only refills the paper towel dis­pensers and shov­els the icy front entrance but man­ages to also do what’s in his job description.

Refrain from being one-dimensional when it comes to your skills, think out­side the “job descrip­tion” box and you’ll find that learn­ing new skills brings more to your plate. In the end you’ll be a well-rounded employee not afraid to help with answer­ing phones on occas­sion or clean­ing out the refridger­a­tor at your workplace. 

Dis­claimer: The fol­low­ing is 100% fab­ri­cated and was writ­ten by me purely for the amuse­ment of a few friends, fam­ily and co-workers. Up until now, it has been hid­den in the vin­tage kartooner.com (circa 2000) archives so I fig­ured I’d unearth it and share it with whomever was interested.

TomatoFor the past twelve years, a research team located in Pills­bury, Min­nesota has been search­ing for the answer to ketchup with­out tomato-based ingre­di­ents. Dr. David Motaja men­tioned the idea orig­i­nally while vis­it­ing a local restau­rant after real­iz­ing his dis­like for toma­toes and crav­ing for ketchup.

It essen­tially started as an idea of pos­si­bly cre­at­ing ketchup with­out the need for toma­toes. Ever since I was a child my dis­like for the red veg­etable fruit has increased excep­tion­ally. Peo­ple who love ketchup but are dis­gusted by toma­toes have no choice. I felt it was a task to be com­pleted by the year 2000″.

Dr. Motaja con­tacted his col­league Dr. Charles Groper and the two dis­cussed a few pos­si­bil­i­ties. As Groper explains, “David came to me with a bril­liant idea. Usu­ally the case being that we research some­one elses failed hypoth­e­sis. Here we were able to test some­thing new, need­less to say I was ecsta­tic. Give or take a few weeks, the project even­tu­ally started in Decem­ber 1988. Our ini­tial task was to recruit a team of sci­en­tists from dif­fer­ent back­grounds. Usu­ally a process like this can take months so we decided to just pick peo­ple off the streets and toss them in a lab.“
(more…)

Clash of the Titans is an awe­some live-action stop-motion hybrid film made in the early 80s. It starred none other than the infa­mous Harry Ham­lin as the heroic Perseus. Fans of Greek myths like me know that Perseus’s sto­ries were always the coolest. Notably, Perseus’s encounter with the Medusa, a woman or thing with snakes for hair and the power to turn any­one who glanced at her to stone.

Perseus in a moment of hero­ism, and let’s be hon­est try­ing to save him­self from being turned to stone, reflects her gaze with his shield and there­fore due to the rub­ber and glue effect trans­fers the curse back to her thus turn­ing her to stone. Sweet poetic jus­tice if you ask me.

Clash of the Titans had it all; action, romance, a mechan­i­cal owl, stop-motion visual effects cour­tesy of Ray Har­ry­hausen and most impor­tantly the pin­na­cle scenes with Zeus (played by Lau­rence Olivier) and his posse. You haven’t seen any­thing in movie his­tory until you see Zeus play­ing the world like a chess game — the peo­ple his pawns. I swear this is a mani­a­cal pas­time for this Greek God. Imag­ine being able to con­trol the Uni­verse with noth­ing more than a check­ered board and a few pieces that rep­re­sent each per­son in the Greek pop­u­la­tion. It looked cool in 1981 and it still looks cool even now.

Of course, one can­not for­get Burgess Meredith’s per­for­mance, the won­der­fully charis­matic char­ac­ter actor from such films as Rocky, TV’s The Twi­light Zone (1960s-version) and the lov­able father from Grumpy Old Men. Mered­ith plays Ammon, teacher and idol to Perseus. This man com­mands such a pres­ence on screen that it’s sad that he is no longer with us. A true and blue pro­fes­sional if you ask me.

If you’re in the mood for some great 80s action wrapped in a Greek-myth shell you’ll dig Clash of the Titans, it’s a clas­sic that deserves a spot in your DVD col­lec­tion. Pay close atten­tion to the scenes with Mag­gie Smith (as Thetis), espe­cially one in which she ‘projects’ her image on the face of a statue. Creepy. 

On occa­sion it becomes dif­fi­cult con­jur­ing up a topic for this site and most of the time it just takes a small ses­sion of brain­storm­ing to get the cre­ative juices flow­ing. Same goes for my art­work, if I’m not in the mood or just don’t have the vibe it’s dif­fi­cult to draw any­thing with­out toss­ing a few crum­bled papers in the trash.

I find that with writ­ing, art or cre­ative expres­sion we all have our low­points. These occur on occas­sion and usu­ally don’t last, but there is a way to coun­ter­act this feel­ing of being uncre­ative or unin­spired. Brain­storm. Use that meaty sub­stance in your head and write down or sketch (artist or not) any thoughts that come to mind. Some­times you’ll find that one par­tic­u­lar thought will spark a series of cre­ative results.

Spider eating Cotton CandyGive it a try; find a lone piece of paper, lined or plain, and write down the first thought that comes to mind. For instance, I’m think­ing of a rural barn­house which makes me think of Charlotte’s Web, which in turn makes me think of spiders.

Now think of some­thing else and jot that down and pair it with your final thought, in my case spi­ders. At the moment I’m think­ing of cot­ton candy which I’ll then write next to the word spi­ders. If you want, you might even draw a crude doo­dle of your thought as I’ve done.

What’s impor­tant to remem­ber is to keep it sim­ple. That is, start sim­ple and build on that thought to cre­ate some­thing more com­plex, not the other way around. Even Mickey Mouse is con­structed by sim­ple oval shapes and then with a lit­tle color and refine­ment he comes to life.  

I’ve always won­dered how dif­fi­cult it would be to set up a local web server. It’s been a per­sonal project of mine con­sid­er­ing I uti­lize web tech­nolo­gies on a daily basis.

Thanks to Chad of Greasy Val­ley I found an excel­lent writeup enti­tled Set­ting up your first web server on win­dows with Apache, PHP and MySQL by Amit Arora. In plain jane lan­guage, Amit walks you through the steps of installing PHP, MySQL and Apache on a Win­dows machine. It’s like a Spar­knotes or Dum­mies guide for set­ting up web servers, clearly writ­ten for the “new­bie” but con­cise and infor­ma­tive enough for a novice user.

As I sat here read­ing through Amit’s tuto­r­ial, I felt as if the author was hold­ing my hand through the nasty bits, explain­ing in lay­mens terms what each con­fig­u­ra­tion meant. Within about 1520 min­utes tops I had my own pri­vate Idaho (server) ready to be exper­i­mented with, and to think it only took a minor 7 or 8 steps and presto! I’m with Chad on this one — why didn’t we think of this earlier?

I plan on mir­ror­ing an exact replica of the kartooner.com web­site. This way I can exper­i­ment and tin­ker to my heart’s con­tent with­out actu­ally mess­ing up the orig­i­nal pris­tine instal­la­tion. Clearly this means improv­ing not only my web server main­te­nance skills, but also tidy­ing up my CSS and cod­ing habits, not to men­tion along the way I’ll improve and refine my PHP and MySQL knowledge. 

furl.gifLet’s face it, the Inter­net has become a sta­ple in our soci­ety. I’ve known peo­ple who would drop every­thing (and that includes their own chil­dren) just to check their email, stocks and EBay auc­tions. We live in a world where infor­ma­tion is at our fin­ger­tips and lit­er­ally just a key­stroke away.

Mil­lions of users world­wide use Google for one func­tion: to search for infor­ma­tion. Con­tent that includes recipes, car man­u­als, gar­den­ing tips and any­thing you would expect to be in an ency­clo­pe­dia can be researched through Google, but what about archiv­ing the infor­ma­tion you find? Imag­ine sav­ing web sites that you find in the present for the future. We’re talk­ing 510 years from now when many of the links stored in your Favorites folder will be obso­lete. At which point to coun­ter­act the inevitable you could print out every­thing you find and store them in Peechee fold­ers, or you could use a ser­vice that is attempt­ing to solve this issue.

Furl.net is “ded­i­cated to mak­ing it eas­ier for users to archive and share infor­ma­tion on the Web. With a cou­ple clicks, Furl will archive any page (soon includ­ing its text and graph­ics). You can eas­ily find it by brows­ing your per­sonal direc­tory of web pages or by using the full text search that only searches pages you’ve archived. It’s like hav­ing your own Google.”

By sim­ply adding a but­ton to your browser you can instantly save any web site that you visit for future ref­er­ence. This means if you find a deli­cious Rueben Meat­loaf recipe (after watch­ing Camp­fire Café), you can click the ‘Furl It’ but­ton and the ser­vice will not only save the work­ing link but also an archived copy just in case the EMG Camp­fire servers char­baque overnight. 

It’s evi­dent that Michael Heile­mann of Binary Bon­sai received enough emails in regards to his site’s theme that he decided to release Kubrick. On a sim­i­lar note, I’ve been receiv­ing a few emails in regards to using the kartooner.com “theme” for other per­sonal projects.

At first I was a bit sur­prised that any­one would want to use this design. I sup­pose it’s the per­fec­tion­ist in me, but I’m not 100% sat­is­fied with the look of this site. Granted, it’s my best lay­out yet for kartooner.com, but to me it’s just another lay­out under con­stant scrutiny. It seems like every­day that I’m tweak­ing var­i­ous aspects of this site, whether it be stylesheet or graphic oriented.

In my attempt to pre­vent con­stant redesigns I’ve set­tled on this theme for the time being. Yet, I can’t guar­an­tee myself or my read­ers that I won’t change this design in the next 6 months. One of the great aspects of a per­sonal web site is the free­dom to exper­i­ment with fresh layouts.

If you’re a well-known designer with a blog, like Dave Shea or Jef­frey Zeld­man, you might face an onslaught of dis­grun­tled com­ments, but smaller sites like mine with only a hand­ful of read­ers rarely receive any neg­a­tive or pos­i­tive feed­back on redesigns. When we do, how­ever, it’s like receiv­ing a response from the Dali Lama. Let’s be hon­est, it’s always nice to receive pos­i­tive feed­back and con­struc­tive crit­i­cism but neg­a­tive feed­back? That’s like receiv­ing a slap in the face in most cases.

That said, I guess what I’m get­ting at is this: Should I let other inter­ested Word­Press blog­gers adopt this site’s theme, if proper credit is given? Maybe I should apply for a Cre­ative Com­mons license to retain my copy­right, but allow copy and dis­tri­b­u­tion on the grounds that credit is prop­erly dis­played. How­ever, what is the process in track­ing legit­i­mate and ille­git­i­mate uses of your work? 

The Village [2004]I’ve seen every M. Night Shay­malan movie released. When I first saw The Sixth Sense the end­ing didn’t sur­prise me due to an “unnamed source” who revealed the twist to me before I even stepped foot in the the­ater. For me, if the end­ing is revealed before­hand, espe­cially if it’s a twist end­ing, the movie loses its appeal.

Rather than let­ting the story develop and grad­u­ally let the end­ing reveal itself, I’m left with know­ing whats to come and that ruins the expe­ri­ence. My wife, on the other hand, isn’t effected if the movie’s end­ing is spoiled. I’m pretty sure that she laughs at me behind my back and won­ders why I care so much. “It’s just the end­ing, there is more to the movie than just the end­ing. There’s a begin­ning, you know?”, she might say.

Truth be told, the end­ing is every­thing to me. I’m not a film stu­dent so rarely will I pull apart the pro­duc­tion, piece by piece, nor do I ana­lyze, with scrutiny, the con­ti­nu­ity or glar­ing plot holes. If I want to be enter­tained I’ll watch a movie, if I need real­ism I’ll turn on the Dis­cov­ery Channel.

As for Shaymalan’s newest cre­ation, The Vil­lage, I’d rank it among my top all-time favorite films. To me it’s not only orig­i­nal but works on dif­fer­ent lev­els, many of which aren’t appar­ent dur­ing the first view­ing. The Vil­lage deserves repeat view­ings for it’s mov­ing per­for­mances, espe­cially by that of Adrien Brody, the vil­lage fool and Bryce Dal­las Howard who plays a blind woman named Ivy. Her per­for­mance is mag­nif­i­cent and yet haunt­ing at best and war­rants an Acad­emy Award. If you see the movie, look at her eyes, you’ll see what I mean.

The Vil­lage is labeled a ‘Horror/Thriller’ by the MPAA which doesn’t make any sense con­sid­er­ing it didn’t come across as a hor­ror movie at all. Maybe I’ve seen one too many Night­mare on Elm Street or Night of the Liv­ing Dead movies, but The Vil­lage, to me, would be more of a dra­matic suspense-filled movie. It has the trade­mark Shay­malan end­ing — mild com­pared to his pre­vi­ous movies — but over­all it’s a thought-provoking and well-made period film that I’d highly recommend. 

DreamcastA week or so ago, ebgames.com ran a spe­cial for a used Dream­cast con­sole at the bar­gain price of $15.00 plus ship­ping. I felt this was a steal con­sid­er­ing the fact my brother sold our orig­i­nal Dream­cast on Ebay with­out noti­fy­ing me of his busi­ness ven­tures. Just as well, how­ever, since we only owned two games for the sys­tem (Ray­man 2 and Crazy Taxi) and chose to rent the rest at Blockbuster.

Shenmue (Dreamcast, 2000)One of my favorite rentals was Shen­mue, a Japan­ese RPG by cre­ator Yu Suzuki, mas­ter­mind behind the pop­u­lar Vir­tua Fighter arcades. Shenmue’s premise is sim­ple and yet bril­liant in its execution.

In the game you play the char­ac­ter Ryo Myazaki, on his quest to avenge his father’s bru­tal mur­der. Each day, your Grand­mother leaves 500 yen for you to spend, which today equals to about $4.50 in USD. The game itself is non-linear in the sense that you can either fol­low the sto­ry­line to the tee or veer off the path a bit.

Along the way you encounter var­i­ous sup­port­ing char­ac­ters that inter­act in a real-time envi­ron­ment; for exam­ple, dur­ing the morn­ing hours and depend­ing on when a par­tic­u­lar busi­ness opens you’ll see the shop­keeper make their way towards their busi­ness to open for that day.

Inbe­tween cru­cial game­play sequences, you can even make a trip to the local Arcade and waste time play­ing such Sega clas­sics as Space Har­rier and Hang On. Depend­ing on the amount of yen, you could eas­ily burn hours on these per­fectly emu­lated clas­sics, but where would the fun be in just doing that? While it might not be for every­one, Shen­mue is cer­tainly epic in its orig­i­nal­ity and over­all game­play, but of course has its own flaws (repet­i­tive fight­ing sequences, etc.) which in my opin­ion are minor at best.

In the past week I’ve scoured web sites look­ing for cus­tom Dream­cast games and emu­la­tions. I found that some­one had ported Scum­mVM to the Dream­cast, flaw­lessly I might add, and it was only a man­ner of using Alco­hol 120% to burn the soft­ware to a reg­u­lar CD-R.

Last night I was play­ing Day of the Ten­ta­cle, Sam and Max and Mon­key Island 1 on my tele­vi­sion and it rocked. The only annoy­ance play­ing these kinds of games is the con­stant spin­ning of the CD, but it doesn’t mat­ter because finally I can play DOTT on my TV. It’s like a Sat­ur­day Morn­ing car­toon, but inter­ac­tive and with­out commercials.